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DestinationsOctober 7, 2026

I accidentally went to Seville during Semana Santa

A paso carrying a crucified Christ figure, framed against the bell tower of La Giralda beneath a deep blue sky, with ornate silver candelabra below.

I thought I was going to Seville. I had no idea I was arriving for one of the biggest weeks of the year.

There are trips you plan down to the last dinner reservation.

And then there are the things you stumble into.

This was definitely the latter.

I knew I wanted to see Seville. The architecture. The food. The orange trees. Those winding streets where getting a little lost feels less like a mistake and more like the point.

Plaza de España in Seville, with a curved red-brick colonnade, a canal with rowing boats, and a tiled blue-and-white balustrade in the foreground.

What I hadn't quite appreciated was that I'd be there during Semana Santa — Holy Week.

That changed everything.

Not in a bad way.

In a what exactly is happening here? kind of way.

What Semana Santa, or Holy Week, really feels like in Seville

Semana Santa in Seville isn't something happening in one square or behind the doors of a church.

It takes over the city.

I'd be walking somewhere and encounter a crowd that seemed to have materialized out of nowhere. Streets would suddenly become impassable. People leaned over balconies. Families waited together. Everyone seemed to know something I didn't.

A narrow Seville street packed shoulder to shoulder with people in dark suits and formal dress, with crimson drapery hanging from the balconies and a tower visible at the far end.

And somewhere in the distance, a procession was coming.

Eventually an enormous paso would appear — an elaborate religious float carrying extraordinarily detailed sculptures depicting scenes from the Passion or the Virgin Mary.

Calling them "floats" doesn't really do them justice.

Up close, they're astonishing.

Gold. Silver. Flowers. Candles. Embroidery. Sculptures with expressions so lifelike that it's difficult not to stare at them.

A paso bearing a crucified Christ and a Roman soldier in armor with a white feathered helmet, surrounded by candles and flowers in front of a pale church façade.

And underneath all of it, hidden from view, are the people carrying the immense structure through the streets.

A paso seen from a balcony above, with red flowers and tall candles, a crowd below, penitents in white, and a barriered pavement.

Suddenly the crowd makes sense.

You're not just watching a parade.

You're watching a tradition that families and neighborhoods have been part of for generations.

A gilded paso banked with purple flowers and lit lanterns at night, with the Torre del Oro behind it and a dense crowd holding up phones.

Seville wasn't operating around me. I was operating around Seville.

This may have been my favorite part.

Travel has a funny way of making us think the destination should cooperate with our itinerary.

I have a reservation at 2:00.
Google Maps says it's a twelve-minute walk.
I need to get from here to there.

Seville did not care.

A street I needed could be completely blocked by a procession. I'd turn down another street and find that blocked too. What should have been a short walk could become a wonderfully complicated exercise in figuring out how to get around thousands of people and an enormous gilded paso.

At some point, I had a choice.

I could get frustrated that the city wasn't behaving according to my plans.

Or I could forget the plans for a while and see what everybody was looking at.

I chose the latter.

The churches and processions during Holy Week

Seeing the pasos in the streets was remarkable.

Seeing some of them before they emerged was something else entirely.

Inside neighborhood churches, surrounded by candles and elaborate decoration, these figures felt completely different from museum pieces.

They weren't there simply to be admired as works of art.

They belonged to people.

A close-up inside a church of a Christ figure carrying the cross, wearing deep red velvet with gold rays and a silver-worked cross, before gilt altarpiece detail.

That distinction matters.

Even as a visitor who wasn't participating in Semana Santa religiously, it was impossible not to recognize how meaningful these traditions were to the people around me.

There were moments when I stopped taking pictures and just watched.

A procession viewed from above, with penitents in white robes and black, tall candles, a paso banked with purple flowers, and spectators leaning at the barriers.

That's usually a pretty good indication that something has gotten my attention.

Would I tell you to visit Seville during Semana Santa?

Yes.

But with a very large asterisk.

If you want an easygoing first visit where you wander wherever you please, casually pop into attractions and cross town exactly when Google tells you to, this may not be your week.

Seville gets crowded.

Really crowded.

Streets close. Restaurants fill. Hotel availability changes. Prices can be higher. Getting from one side of the historic center to another can become an adventure. You also need to book farther ahead than you might for a quieter week.

You have to surrender a little control.

But if you're curious about traditions and like experiencing a place when it feels intensely, unmistakably itself during Holy Week?

That's different.

I'd absolutely consider it.

I just wouldn't let you arrive as unprepared as I did.

Jim's Travel Note

Check what's happening in a destination before you book around the dates — but don't automatically avoid the busy or unusual weeks.

A festival, religious celebration or local event can make a trip more complicated.

It can also be the reason you remember it.

The trick is knowing what you're walking into.

Where should you stay so you aren't constantly fighting road closures? Which reservations really need to be made ahead during Holy Week? Which days are busiest? When should you abandon the itinerary altogether and just find a place along the route?

A rooftop table with a glass of dark red iced wine and a small bowl of nuts, with La Giralda and cathedral rooftops behind it beneath a bright blue sky.

Those are the details worth figuring out.

Because sometimes the best thing I can do isn't help you avoid the chaos.

It's help you experience the right chaos.

I went to Seville. Semana Santa came with it.

It wasn't the Seville I'd pictured before the trip.

It was louder. More crowded. More complicated.

And considerably more interesting.

Some of my strongest memories aren't of the things I'd planned to see. They're of standing shoulder to shoulder with people in a street I hadn't intended to be on, watching something I hadn't known I'd come to see.

Which is one of the things I love most about travel.

Have a plan.

Then occasionally let the place completely ruin it.

Jim smiling in a dark shirt and jeans with a navy sweater over his shoulders, standing beside a green-shuttered lattice window against an ochre wall with vines and a tiled bench.

  • Jim